Designing A Home
Office
An expert offers
pro design tips -- plus photos of six hard-working home offices.
Neal Zimmerman
December 26th,
2000
Article location: http://www.atworkathome.com/buildscape/index.htm
At least one feature of 21st century life — the long-predicted phenomenon
of at-home work — has already arrived.
Low-cost computers, fax machines, the Internet, and telecommunication
services such as call waiting and voice-mail have made it possible to set up a
full-featured office almost anywhere. Estimates of the number of people working
at home either full or part time currently run as high as 50 million. As companies awaken to the potential cost savings of a telecommuting work
force, and as workers taste the freedom and flexibility of working at home, the
trend may well accelerate. And while electronic devices such as computers, copiers, and fax machines are
essential to most home offices, improvements in design and miniaturization have
made them easier to incorporate into the home environment. As a result,
designers can concentrate less on the needs of the equipment and more on such
issues as spatial separation between living and working areas, productivity, and
comfort. Still, because they introduce a commercial function into the home, designing
home offices differs from designing other rooms. Special considerations include
permitting, siting within the house,
and heavier-than-normal utility requirements. And because offices pack many functions into a small space, designers must work closely with their
clients — much as they would in designing a kitchen for a serious cook — to
locate and choreograph these functions. In this story, we will look at the concepts that will allow you to design a
functional and elegant home office in the new homes you build, or the houses you
remodel. And then we'll look at six examples that meet the test.
Choosing a location for an office in the home is a matter of balancing work
space needs with privacy, access, and available space. Though almost any
existing room can be converted to an office, each has its strong and weak
points. Attic. Attics are often underused extra space, and their
remote location makes them appropriate for private offices that do not require a
separate entrance. However, attics present structural considerations both
underfoot and overhead. You may have to beef up the existing floor to handle the
live loads imposed by the new use or add dormers to meet code ceiling-height
requirements for habitable spaces. Garage. On-grade access makes a garage perfect raw material
for an office that requires a public entrance or separate parking. Garages with
no living space above can be opened up with skylights or a cathedral ceiling.
But check with local code officials before investing design time in such
projects. Because they eliminate a covered parking space, garage-to-office
conversions can run afoul of local codes. Family room. Family rooms and dens can make good home office
locations because they are typically at ground level, often have a separate
entrance, and are usually among the larger rooms in the house. They may also
offer architectural features — such as a fireplace, a cathedral ceiling, or
access to a deck — that make for a pleasant place to meet with clients. These rooms, however, are usually located near the center of family activity.
Even if your client can devote the space to a full-time office, noise and
traffic may make this location impractical, especially for those with children
at home. Bedroom. A spare bedroom is already prepared in most ways to
accept a home office. The space is usually regular in shape and has natural
light, ventilation, and some electrical power. Bedroom closets can be easily
converted for office storage. A bedroom also can be closed off for privacy. One as small as 80 square feet can serve as a modest office for one person;
larger bedrooms can usually accommodate two workers. Unless it is far from other
bedrooms in the house, though, a converted bedroom is most appropriate for a
private office that does not serve employees or visiting clients. Basement. Basements usually have large areas of open space
and easy access to electrical panels and other utilities. Walk-out basements
offer the additional advantages of outside access and natural light. Make below-grade basements more hospitable by opening them to the home’s main
level where possible, adding windows, finishing them in light colors, and
installing a well-planned system of electrical lighting. Be sure to address any
water problems in the basement before you proceed with an office conversion; a
damp work space is both unpleasant for people and potentially damaging to office
equipment. Other spaces. A wide hallway, a walk-in closet, even a
standard 24-inch-deep closet can serve as a small, functional work space.
Because they occupy circulation space, hallway offices should be configured to
minimize clutter. Closet offices may need additional cooling and ventilation to
handle the heat generated by office equipment and lights in a confined area.
Access to natural light, via a window, skylight, or transom light from an
adjacent space with a window, will make extended hours of work in a small space
more pleasant. A reliable supply of electrical power and sufficient telecommunication
connections are critical to any office. To make sure your client will have
enough power and phone connections — and in the right places — you should
conduct a thorough needs survey. Tally the electrical requirements of each device your client now uses and of
any equipment he expects to add in the future (amperage draws can be found in
the user’s manuals or on the rating labels at the back of equipment). Note also
which devices require a telephone jack. From this information, draft an equipment power list and consult with your
electrician to determine the adequacy of the existing wiring and the
distribution of outlets in the new office. For a small office with two
computers, a printer, a telephone, and a fax machine, a single electrical
circuit should suffice. In laying out the electrical plan, remember that the office landscape is
subject to continuous change. Equipment, too, is evolving rapidly. Err on the
side of too many outlets and phone jacks rather than too few. Suggest wiring the space for additional phone lines and computer networking,
even if your client doesn’t anticipate a need for them. Consider also installing
coaxial cable, in case cable information services take off. Putting all this equipment in one room creates another concern: heat.
Everything that uses power generates heat, and running several devices
simultaneously can raise room temperature beyond the comfort level. The
machinery itself is also sensitive to extreme temperatures and humidity. High
ambient temperatures can do permanent damage to equipment components. And paper
doesn’t move through printers and copiers well in humid environments. If your client’s house is air-conditioned, you may need to rebalance or
expand the system. If you add cooling capacity to the area, consider putting the
space on a separate setback thermostat to take advantage of the predictable
hours it will be used. If you add a room air conditioner, it should go on its
own circuit to avoid damaging electronic equipment. Computers and other office equipment are also vulnerable to static
electricity. If you choose carpet for your client, select a product designed to
minimize static.
The ideal office has a private entrance opening into a dedicated space large
enough for all office functions.
Most clients, though, must compromise, accepting some overlap in working and
living spaces. The entrance to the home office, for example, may be through
another part of the house or apartment. The office itself may be in a family
room or bedroom. Work and family life can coexist successfully in spite of such compromises
but only if the office space can be “privatized” — cut off to the desired degree
from family activity — and protected when it is not in use. Although a basic home office might need no more than a phone and a bulletin
board, it pays to analyze in depth the work your client plans to do before
designing the office itself. Because workstations are at the heart of the home
office, it is often useful to think in terms of what type of workstations the
client will require. The acronym CAMP will help you remember the four basic workstation types:
computer, administrative, meeting, and project. Depending on the nature of the
work, your client may need one or more of these workstations, and his work style
or space limitations may lead you to combine two or more workstation types. But before any final decisions are made, carefully assess how much work
surface of each type your client needs and how much active storage space to
include with each (long-term storage can be combined with general household
storage elsewhere in the house). Computer. Because they house computers, printers, and other
peripheral devices, computer stations have the greatest power requirements of
the four workstation arrangements. Some types of work require long periods at
the computer, so designing a station that is also ergonomically correct is
critical to your client’s health and comfort. Administrative. Administrative functions include handling
mail, invoicing clients, paying bills, making phone calls, copying, and
bookkeeping. Figure in the space, power, and communication feeds for the
telephone, answering machine, fax machine, and copier. Consider, too, the
counter heights that will make these machines most convenient to use. If the client uses a portable computer, the administrative workstation can
double as a computer workstation. This station should also include storage for
day-to-day shipping and mailing. Meeting. If the office will host only one or two visitors at
a time, the administrative station can double as a meeting place. For larger
groups, conferencing could take place in a nearby room that can do double
service, such as a dining room. Project. The project workstation is where the core functions
of the office take place. Because job functions vary, project workstations
require the most individualized design. Graphic artists, lawyers, claims
processors, salespeople, and accountants all have different project-related
requirements. Even within the same line of business, individual styles and needs vary.
Learn as much as you can about your client’s work — what she does, when and how
she prefers to do it, and what equipment she uses — before determining the size
and configuration of the project station.
It may take some adjustment to view an office as a hazardous work
environment, but repetitive stress injuries are a real threat to people who do
desk work. Even if your client is not at risk for carpal tunnel syndrome, a
little attention to workplace comfort can make the difference between a mere
office and a high-performance, ergonomic work environment. As a rule, the more positioning flexibility you can design into a
workstation, especially a computer workstation, the more user-friendly it will
be. By starting with a work surface 30 inches off the floor and adding an
adjustable keyboard tray, mouse tray, and monitor arm, you can build a station
that will comfortably accommodate almost anyone. For a system that fits your
client like a tailored suit, follow these guidelines:
Many municipalities now require homeowners to obtain a permit to operate a
home office. If the business will have outside employees or if clients will be
on the premises, they may be more restrictive.
Depending on the intended use, a home office may also come under the
provisions of the Americans with Disabilities Act. If you have any doubt about
the rules that apply in your client’s situation, set up a brief meeting with
your local code official so you can plan the project to meet any legal
constraints.
Occupying the second floor hall of an 1875 San Francisco Victorian, this
office is home to the owner’s political consulting company. The 8-by-24-foot
work space is split into a fax-copy-storage center and a bank of computer
stations, both housed To keep work surfaces clear, electrical, phone, and computer network wires
feed through the countertops to terminals hidden below. Undercabinet strips
supply task lighting; daylight arrives via a colossal double-hung window and a
skylight over the stair. Location: San Francisco
The Internet is a driving force in the proliferation of home offices, so it
is fitting that the owner of several important Internet businesses does much of
his own work at home. Located in the dormered space above a three-car garage, this office
incorporates high technology — ISDN Internet lines, an elaborate sound system,
and computer-operated lighting — into a home-like environment with a spectacular
view of the Merrimack Valley. Designed for the comfort of business visitors, the suite has its own full
bath and private entrance. Part of a showcase whole-house remodel, the office
was home to the owner and his family during the reconstruction of their living
quarters. Location: North Andover, Mass. Designer: Joseph L. Luna, AIA, Luna Design Group, Lynnfield,
Mass. General contractor: Philip W. Lemire, Lemire Construction,
Topsfield, Mass. Running a household can seem like a business in itself. Design/build
remodeler Mark Peterson found space for this client’s office/homework station
under the new stair of a second-floor addition. The counter provides ample work
space for writing letters and paying bills, and the office’s location near
dining and family rooms lets the owners keep an eye on their children at
homework time. Making use of every available inch, Peterson filled the low space under the
stair with an audio cabinet and a bank of file drawers topped with a roll-out
shelf that holds a computer printer. Location: Burnsville, Minn. Designer and general contractor: Mark Peterson, M/A/Peterson
Designbuild, Edina, Minn.
Once a basement recreation room, this office remodel for a Hollywood
screenwriter is a study in display and concealment. On display are a few of the
owner’s treasured objects; concealed behind sandblasted glass cabinet doors are
scores of unsightly bound screenplays. Panels in the cherry-clad columns swing
open to reveal hidden storage compartments.
Architect Barbara Bestor used three-dimensional models to work out a
pleasingly skewed design for the cabinetry and built-in Location: Los Angeles Designer: Barbara Bestor, Bestor Architecture, Los
Angeles General contractor: D.J. Catton, Van Nuys, Calif.
Because most people don’t want to look at their work after they’ve punched
the clock at the end of the day, successful home offices generally draw a hard
line between business and personal realms. But for a single photographer who
loves his work — and whose work was never meant to be hidden away — the opposite
approach makes perfect sense. The shape of this hallway office, bordered by a loft railing, forms two
comfortable workstations: one for viewing images and another for correcting them
on a computer. Halogen lights, hanging from track applied directly to the bare
concrete ceiling, provide the high-intensity light required for the owner’s
work. Location: Seattle Designer: Lane Williams, Lane Williams Architects,
Seattle General contractor: David Gray, David Gray Construction,
Seattle The double-edged sword of working at home is having access to the office at
any hour of the day. Determined to make the most of that access, the owners of
this office asked for a room that would serve multiple uses. By day, the office, part of a Prairie style second-floor addition, is the
nerve center of a thriving dental practice. After business hours, it serves as a
library annex to the nearby master suite. Custom oak office cabinetry stores all
paperwork out of sight when the work day ends and blends seamlessly with the
window seat and glass-front library cabinets that betray the office’s other
life Location: Mequom, Wis. Designer and general contractor: Design Group Three,
Whitefish Bay, Wis.![]()
Design
Basics: Where to Put
It | Power Issues |
Get To Work | The Human Element | Building Permits
Real
Projects: San
Francisco | North
Andover, Mass. | Burnsville,Minn. | Los Angeles | Seattle | Mequom, Wisc.
— Neal Zimmerman, AIA, Zimmerman Architects, West Hartford, Conn., is a
specialist in home office design and author of Home Office Design.
Copyright 2000 Hanley-Wood,
LLC. All rights reserved. Used by Buildscape with permission.
Page 1 of 12
Where to Put It

An Attic
Office![]()
Design
Basics: Intro | Where to Put It | Power Issues | Get To Work | The Human Element | Building Permits
Real
Projects: San
Francisco | North
Andover, Mass. | Burnsville,Minn. | Los Angeles | Seattle | Mequom, Wisc.
Page 2 of 12
Power Up
![]()
Design
Basics: Intro | Where to Put It | Power
Issues | Get To Work |
The Human Element | Building Permits
Real
Projects: San
Francisco | North
Andover, Mass. | Burnsville,Minn. | Los Angeles | Seattle | Mequom, Wisc.
Page 3 of 12
The Ideal Home Office

![]()
Design
Basics: Intro | Where to Put It | Power Issues | Get To Work
| The Human Element | Building Permits
Real
Projects: San
Francisco | North
Andover, Mass. | Burnsville,Minn. | Los Angeles | Seattle | Mequom, Wisc.
Page 4 of 12
The Human Element
![]()
Design
Basics: Intro | Where to Put It | Power Issues | Get To Work | The Human
Element | Building
Permits
Real Projects: San Francisco | North Andover, Mass. | Burnsville,Minn. | Los Angeles | Seattle | Mequom, Wisc.
Page 5 of 12
Permit Me
![]()
Design
Basics: Intro | Where to Put It | Power Issues | Get To Work | The Human Element |
Building Permits
Real Projects: San Francisco | North Andover, Mass. | Burnsville,Minn. | Los Angeles | Seattle | Mequom, Wisc.
Page 6 of 12
San Francisco
in cherry custom cabinetry that matches the house’s
trim.
Designer and general
contractor: Patricia Motzkin, AIA, Patricia Motzkin Architecture,
Berkeley, Calif.![]()
Design
Basics: Intro | Where to Put It | Power Issues | Get To Work | The Human Element | Building Permits
Real
Projects: San Francisco | North Andover, Mass. | Burnsville,Minn. | Los Angeles | Seattle | Mequom, Wisc.
Page 7 of 12
North Andover, Mass.
![]()
Design
Basics: Intro | Where to Put It | Power Issues | Get To Work | The Human Element | Building Permits
Real
Projects: San
Francisco | North Andover, Mass. | Burnsville,Minn. | Los Angeles | Seattle | Mequom, Wisc.
Page 8 of 12
Burnsville, Minn.
![]()
Design
Basics: Intro | Where to Put It | Power Issues | Get To Work | The Human Element | Building Permits
Real
Projects: San
Francisco | North
Andover, Mass. | Burnsville,Minn. | Los Angeles | Seattle | Mequom, Wisc.
Page 9 of 12
Los Angeles
desk. Her
description of the final arrangement — “asymmetrical but balanced” — could apply
equally well to the work of her client, who wrote the screenplay for Men in
Black in this office. ![]()
Design
Basics: Intro | Where to Put It | Power Issues | Get To Work | The Human Element | Building Permits
Real
Projects: San
Francisco | North
Andover, Mass. | Burnsville,Minn. | Los
Angeles | Seattle | Mequom, Wisc.
Page 10 of 12
Seattle
![]()
Design
Basics: Intro | Where to Put It | Power Issues | Get To Work | The Human Element | Building Permits
Real
Projects: San
Francisco | North
Andover, Mass. | Burnsville,Minn. | Los Angeles | Seattle | Mequom, Wisc.
Page 11 of 12
Mequom, Wis.
![]()
Design
Basics: Intro | Where to Put It | Power Issues | Get To Work | The Human Element | Building Permits
Real
Projects: San
Francisco | North
Andover, Mass. | Burnsville,Minn. | Los Angeles | Seattle | Mequom, Wisc.
Page 12 of 12